Art Marathon: switching gears

Back inside where I can control the light and wind! I’ve been given the keys to The Project Space at CACSA to begin installing my exhibition. I’m so excited! For this event I’m converting the space into … well, that would be telling. It does have the blinkenlights. Opens on the 2nd of November 2012, 6pm ( that’s in 4 days!) & everyone is welcome (of course!). It’s also the CACSA Christmas Doo – I’m hoping that means really good cheese. :nekopan:

The Marino project is on a brief hiatus while the tides are high.

Art Marathon: 35 knot winds

Phase 1 of the installation

The Marino project was off to an excellent start – I’ve enlisted the expert help of Adelaide aerosol artist (and sister extraordinaire) Delana Carbone whose advice has been superlative. On Wednesday night we marked out the spot and made one enormous stencil. It was a beautiful warm and still evening – we were done in no time at all & very pleased with the results.

Unfortunately there was a big change in the weather overnight & Thursday morning brought strong winds – much too strong for precision spray painting – so the project is now on hold 🙁

Our Plan B for poor weather was to continue at the next dodge tide (the 9th of November), but we are too excited to wait & hope that conditions will be kinder on Sunday the 28th of October, just after high tide. If anyone out there can put in a good word with the weather on our behalf it would be much appreciated! Cheers!

Art Marathon: ready…

It doesn’t feel quite right leaving the New York experience so vague. I can’t even begin to describe what an enormous impact it had on all of us – that must be one reason I’m leaving it undocumented – I doubt I’d have the words or pictures to do the experience justice, although don’t get me wrong I have been trying!

October brings a month of getting my chips all lined up for more epic-ness. This month I have two frighteningly brilliant events to prepare and execute. The first on the calendar is the installation of a temporary public artwork on the Boat Ramp at Marino – with assistance from the City of Marion & as part of the Place2012 festival. This is my first public artwork, and I’m really excited! It happened quite organically – I had an idea, approached the council, they loved it and now we are all systems go! In the next few days Marino residents will get a little letter in their mailbox:

12.10.12

Dear Marino Residents,
This letter is to inform you of a short-term public artwork to be installed between October 24th and 27th on a section of the old Marino Boat Ramp. This artwork is designed by emerging City of Marion artist Aurelia Carbone, currently studying for her doctorate at the University of South Australia.
Aurelia is interested in anamorphic images, exploring designs that only form into recognisable shapes from a particular point of view. If you would like to come and view the artwork, Aurelia will mark the exact spot to stand on, when the work is complete, in order to view it to full effect. The painted image will be made with the absolute safety of our precious marine environment in mind. Aurelia uses environmentally friendly materials and methods so that they can cause no harm.
Aurelia says “For this new artwork at Marino I reflected on my experiences growing up and exploring this unique and fascinating corner of our coastline. I often acted out tales of exploration and discovery amongst the ragged rocks and found tide pools full of mystery.

This work is intended to fade over time as it is eroded by the sea and weather. It is my hope that, in time, it will become another of Marino Rocks’ secrets.”
Aurelia will be using projection on the evening of Wednesday October 24th to map out her image, before commencing painting work. There may be a generator running on that night from dusk, shutting down before midnight. If you have any concerns regarding this, please contact Marg Edgecombe, Unit Manager, Arts & Cultural Development on 0411 339 739.
This temporary public artwork is part of City of Marion’s participation in “Place 2012”; a series of Adelaide events exploring, and stimulating conversation about, our sense of place. We hope you, and the wider community, will be engaged by this site-specific cultural expression in your local area.
Regards,

Hope Deane
City of Marion
Public Art & Placemaking Officer
Telephone: 8375 6828
hope.deane@marion.sa.gov.au

How is that for support! So far it’s been a really positive experience.

The logistics have been interesting – because the work will be on the beach I wanted to make sure I was using materials that wouldn’t be harmful to the marine life ( who wants to be responsible for making a leafy sea dragon sick? Not me.) The Environmental Protection Agency were very helpful in looking over the project and the materials I was suggesting. I’m also battling the tides, so we have planned the project install for a dodge tide. I had no idea there was such a thing! Here is a digital mock-up of what I hope the project will look like when it’s complete.

Planned anamorphic artwork at the Marino boat ramp, Marino, South Australia

November 2nd 2012 is the opening night of my solo show in the Project Space at the Contemporary Art Centre of South Australia. The exhibition is titled instant perspective machine and will involve the participation of the audience as an integral part of the machine’s operation – essentially the machine needs someone to drive it and I’d love that someone to be you. I will be reconfiguring the Space into an enormous optical illusion site, complete with a recording device in the form of a heavily modified Fuji Instax camera. Work the switches & make some pictures – it will be a lot more fun if you play too.

I’ll try to squeeze in a few more entries while the projects are in progress. Wish me luck!

The Busy

My head is still spinning @_@ my Northern Hemisphere Summer with the MFA Photo program at Parsons has been intense. It’s not my preference to make work at such an accelerated pace – I’m slow even by normal standards – but it was a superlative opportunity and I’m more than a bit sad that it’s over 🙁 I NY, I love Parsons, and I love the current MFA Photo students – it’s been a thrill to be surrounded by sensationally talented photographers.

I used the residency to experiment with something I’ve been thinking about for a long time. I’m often being encouraged (by people I really should listen to) to make video or animations. I find that suggestion a bit overwhelming as I will need a whole new skill set, new equipment, and a clue about where to start. As a warm up to working with longer narratives I’ve made a new photocomic.





The space I was given to work with had some quirks that I used to start the story narrative. I’d been working on this little puppet for such a long time – but I really didn’t know what he was going to get up to. The pipes and the little hole in the wooden floor gave me my staring point, from there the story just …grew? (the pun princess strikes again!) It was a very fun project, especially working with multiple anamorphic shapes in one spot. It got a bit complex there for a few days, see:

I do have some ideas about we the story goes next, and some more characters to introduce. That will have to wait until we are back home in Australia.

After I’d finished shooting for the little project above I discovered that I really wanted to use the space for another image for the Honest Magic series. Lucky for me Orlando was keen to be involved again.

The Parsons Summer Open Studios also gave me an opportunity to try out something I’m very interested in: incorporating an anamorphic installation and viewpoint as part of an exhibition. I transformed an old enlarger lens (found at a flea market on West 59th street) into a peep-hole device for the void illusion in my studio. It was great! :duck: It’s given me some fantastic ideas for my Project Space show at CACSA in November 😀

Zo babe sure liked it.